As we continue to be swept up in the mainstream currents of digital developments, many of us have built and re-built our identities by extending a version of our past selves, or attempted to break off from them and to start afresh. Letting go is simple, yet difficult. Just like the Ship of Theseus, the ancient paradox regarding identity and change across time, the form of our artistic inquiries are often changing like the planks of the ship, and are they borne out of the same self?
In the work of forgetting…, we explore not just what we neglect about ourselves, but also what we can leave behind. On one hand, what have we forgotten about ourselves that we can begin to recover, to re-discover? On the other hand, at what cost, do we still remember that which no longer serves us?
International expands our unique repertoire of works to a global audience.
Longshan Artgong hopes to embody and practice the ideals of contemporary art in “another world” through its annual Folk Ritual Boat Festival held during the seventh lunar month. In 2024, under the auspices of Beisheng Temple in Keelung, we will send off collected artworks to the other shore through a symbolic flame that represents the spirit of contemporary times.
This year, the ritual boat is designed in the shape of a spaceship, symbolizing humanity’s vision of an era of interstellar migration. Yet this raises questions: Do deities exist in space? As we settle on Mars, how do we find spiritual grounding? Can we, like our ancestors, receive divine protection? And can art pave the way for us, igniting the spark of culture in these unknown realms?
Date / Time
11th to 17th August 2026 (Tentative)
Venue
C-LAB No. 177, Sec. 1, Jianguo S. Rd., Da’an Dist., Taipei City
International expands our unique repertoire of works to a global audience.
A Little RAW was invited to be part of 2026 KIADA Korea International Accessible Dance Festival (KIADA) to present Tree House – A Sanctuary in the Sky. As the 11th annual festival, KIADA plans on creating an essential foundation for Asian inclusive dance organisations to share their practices and provide opportunities to interact with renowned inclusive organisations from all over the world.
Tree House – A Sanctuary in the Sky reimagines the treehouse as both refuge and gathering place, blending play and reality. Through dance and storytelling, it explores solitude, connection and resilience – reflecting on how we construct worlds of safety and imagination while nurturing dialogue on protection, belonging and our bond with nature.
Date / Time
15th August 2026
Venue
ARKO Arts Theater, 7 Daehak-ro 8-gil, Jongno District, Seoul, South Korea
RawForm (RF) emphasises the curated practice of diverse dance interpretations in unconventional venues. By centralising the importance of research and documentation in artistic development, it unveils creative processes and methodologies, while creating opportunities for the public to engage, participate and interact in an immersive dance-making setting.
A collaborative performance where artists cross disciplines, negotiate differences and discover what emerges in the spaces between.
Mind the Gap proposes collaboration as a generative act of crossing between disciplines, practices and ways of thinking. Each pairing of artists develops a 30-minute work that inhabits the in-between: a space where friction, misalignment and curiosity become catalysts for creation. Rather than seeking resolution, this presentation attends to what emerges through process — the negotiations, translations and discoveries that surface when different vocabularies meet.
Artists
Sabrina Koh (Interdisciplinary Artist–Researcher) & Cerise Tean (Movement Therapist)
Melissa Quek (Dance-maker and Educator) & Marcus Quek (Occupational Therapist)
Tung Ka Wai (Arts practitioner and educator) & Ding Kian Seng (Forest Therapy Guide and Paddlesports Coach)
Dramaturg
Olivia Vong
Movement Advisor
Ricky Sim
Date / Time
27th to 29th August 2026
Venue
Aliwal Arts Centre, Multi-purpose Hall
International expands our unique repertoire of works to a global audience.
IMMERSIO 2026 is a ticketed event that aims to create a platform for artistic exchange and public engagement by bringing together artists, collectives, and audiences in a shared space of discovery. The programme is designed to reach a diverse audience that includes members of the general public interested in contemporary and immersive performance, arts practitioners and industry professionals seeking opportunities for dialogue and exchange, as well as students and emerging artists who wish to encounter new approaches to movement, choreography, and interdisciplinary artistic practice.
Date / Time
11th to 27th September 2026 (Tentative)
Venue
GMBB, Bukit Bintang – Kuala Lumpur
A Little RAW (ALR) has been an inclusive young dancers’ company based in Singapore, for children and youths 10 years and above. Having engaged over 60 performers with different abilities, the company continues to develop original dance and movement with new perspectives, spaces, and audiences, while celebrating the ‘Diversability’ of young differently-abled individuals.
I Remember… begins with a simple belief: identity is shaped by how we hold our experiences. For many children and youth with special needs, their stories are often told for them — through labels, reports, and expectations. This work shifts that narrative. It creates space for them to author their own remembering.
Situated within The Work of Forgetting, the project reframes forgetting not as erasure, but as choice. What do we release? What do we carry forward? How do we remember ourselves without being confined by fear, urgency, or imposed definitions?
The creative approach is sensory and accessible. Movement is built through repetition and simple tasks. Light, sound, and tactile elements provide grounding cues. The structure values presence over virtuosity, and agency over polish. Each performer moves within their own rhythm, contributing meaningfully to a shared whole.
The intention is not to present resilience as spectacle, but as everyday humanity. Audiences are invited to slow down and witness attentively. In doing so, remembering becomes constructive — a way of gathering fragments and shaping identity with care.
Through collective remembering, we rebuild how we see ability, dignity, and belonging.
Date / Time
28th & 29th November 2026
Venue
Enabling Village, 20 Lengkok Bahru, Singapore 159053
RawGround (RG): 2 Films, 1 Conversation, is a 10-day hybrid event featuring five artists presenting ten films. It explores urban life’s rush and how we hold onto ourselves. Our memories and senses become guides, leading us through this exciting adventure. As we ponder the beauty of life, RawGround stands as a platform for transformation and fostering a communion of thoughts and perspectives.
RawGround27 explores (Un)finished Work: In pursuit of the work of forgetting…, through representations of the tangible forms and intangible traces. Featuring four collectives, the programme unfolds across eight films that examine the dichotomy and interconnectedness of memory and erasure.
Traversing space, body and emotion, the works engage with acts of survival, transition, release and agency, inviting audiences to reflect on forgetting as both a coping mechanism and a gesture of acceptance. RawGround27 offers an immersive and collaborative experience, bringing artists and audiences together in a shared space for discussion and cross-cultural dialogue.
Artists
Olivia Vong (Singapore)
Christopher Fok (Singapore)
Ippi Wattanasuwan (Thailand)
Kanjana Niyomtham (Thailand)
Sudhee Liao (Singapore)
Daniel Navarro Lorenzo (Spain/Singapore)
Mekratingrum Hapsari (Indonesia)
Dani S. Budiman (Indonesia)
Dramaturg
Dr Nidya Shanthini Manokara
Date / Time
21st to 24th January 2027 (Physical Experience)
25th to 31st January 2027 (Digital Experience)
Venue
Stamford Arts Centre
View Past Edition
Step into RawGround 26: (Un)finished Work: In pursuit of the work of pretending (theme), a cinematic exploration of the delicate balance between appearance and authenticity in modern life. Featuring eight films by local and international artists, this exhibition delves into the personas we uphold, the memories we carry, and the selves we shield.
Through intimate, meditative films and artefacts, audiences are invited to reflect on the labour of presenting oneself, the tension between outward appearances and inner realities, and the creative and emotional work of connecting with others. RawGround 26 offers a rich, immersive experience and a space for cross-cultural artistic dialogue.
Artists
Mari Kalabegashvili (Georgia/Germany)
Fangas Nayaw (Taiwan)
Lau Hong Hu (Malaysia/Singapore)
Adzlynn Fizra (Singapore)
Gardika Gigih (Indonesia)
Euginia Tan (Singapore)
Tan Wei Ying (Singapore)
Wong Jin Yi (Singapore)
Dramaturg
Dr Nidya Shanthini Manokara
Part of
Supported by
Official Television Partner
Part of
Supported by
Official Television Partner
Join us for a captivating 4-day exhibition, where local and international artists will showcase their latest films and share insights into their creative processes and artistic practices.
4 Days Exhibition
Guided Tour
Date/Time
22nd Jan (Thu) 2026
Opening Reception*
8pm – 9pm
23rd Jan (Fri) – 25th Jan (Sun) 2026
12pm – 9pm
*Includes in-house refreshments
Venue
Stamford Arts Centre, Black Box
More Info
Experience hands-on learning at our in-person workshops, led by 8 talented artists—both individuals and collaborative groups. Dive deep into their creative worlds as they guide you through unique techniques and artistic practices in an intimate, interactive setting.
4 in-person Workshops
Date/Time
23rd Jan (Fri) – 24th Jan (Sat) 2026
Venue
Various Locations
Can’t attend in-person? Then join us in the digital iteration of RawGround 2026. Our website will feature all films that we premiered during the physical experience and also past editions of RawGround.
Registration is FREE!
7 Days
Watch Anytime
Available for International/Local Audiences
Date
26th Jan (Mon) – 2nd Feb (Sun) 2026
Constructing Selves: Faces of a Shifting Form is an immersive exhibition/dance performance that explores identity as fluid, layered and constantly evolving.
Through movement and AI-generated visuals, it reveals how memory, emotion and experience shape who we are. Step into a poetic space where the self is in perpetual motion.
Conceptualiser
Lip Chiong
Movement Collaborator
Ricky Sim (Singapore)
Dramaturg
Dr Nidya Shanthini Manokara / Dominic Nah
In collaboration with
A Programme of
Held in
Part of
A Subsidiary of
A Programme of
Held in
Part of
A Subsidiary of
Performance/
Exhibition
Performance/Exhibition
Opening Reception
5th September (Fri), 8pm
Includes exhibition and performance
Free Admission (as part of SNF)
Performances
6th September (Sat), 8pm
Free Admission (as part of SNF)
12th & 13th September (Fri, Sat), 8pm
Free Admission
Exhibition
6th – 21st September, 12 – 8pm
Closes on Monday and at 6pm on Fri & Sat
Free Admission
Workshops
Artist Sharing Session by Lip Chiong
10th September (Wed), 2pm – 3.30pm
Free Admission
Movement Workshop by Ricky Sim
15th September (Mon), 11am – 1pm
Free Admission
Venue
Lim Hak Tai Gallery
NAFA Campus 1
80 Bencoolen Street, S189655
Watch it here
RAW Moves was invited by AfterImage, Longshan Artgong, and the Taipei Chen-En Experimental Education Institution to co-present a Taiwan–Singapore edition of Balancing – The Movement of Consciousness. This interdisciplinary initiative promoted cultural exchange between Taiwan and Singapore through movement-based practices, technology, and conceptual art.
Creator/Conceptualiser
Mark Wang (Taiwan), Lip Chiong (Singapore) & Matthew Goh (Singapore)
Dramaturg
Dr Nidya Shanthini Manokara
International Collaborators
Date / Time
8 – 24 June 2025
Venue
Longshan Artgong, Taipei
Taipei Shih Chien University’s Department of Architecture and Design invited RAW Moves to present a Taiwan-Singapore edition of RawGround as part of the Cross-Disciplinary Spatial Creation Workshop from April 14 to 18, 2025.
With the theme Body and Me / Creativity Can Be a Habit, the workshop aimed to foster cultural exchange, aesthetic improvisation, and cross-disciplinary experimentation. Through experiential learning and intuitive training, participants were encouraged to expand their creative thinking and artistic exploration.
Creator/Conceptualiser
Paul Gong (Taiwan) & Matthew Goh (Singapore)
Adjunct Visiting Associate Professor
Ricky Sim (Singapore)
Dramaturg
Dr Nidya Shanthini Manokara
Date / Time
14 – 18 April 2025
Venue
Shih-Chien University, Taipei Campus
Synopsis
We live in a time of unprecedented technological development. From ancient stone tools all the way to the computers that we use to work and live, we have always possessed the innate desire to progress and advance. We’ve come far enough that we’ve begun to trust in our computers in ways that we wouldn’t trust another human being.
As we further develop these systems, could we one day ask the machine to interpret our dreams? Can we see ourselves in the machines we use? Can we ground ourselves in the ‘now’ to catch a glimpse of possible futures?
Glitch examines & meditates on man’s relationship with the machines we live with.
Creator/Conceptualiser
Wu Jun Han (Singapore)
Dramaturg
Dr Nidya Shanthini Manokara
Movement Collaborator
Ricky Sim
Performers
Matthew Goh
Natasha Fawzi
Kang Minchae (Intern)
Understudy
Alden Wong (Intern)
Date / Time
1 to 3 September 2022, 8pm
Venue
Watch it here
Synopsis
In adolescence, arguably a huge aspect of growing up concerns the establishment of one’s identity. As both an individual and social phenomenon, adolescents navigate this process of identity formation by experimenting with possible self- identities, seeking significance in their relationships with others and their place in the world.
But what happens when this process is disrupted and interrupted by the isolating experience of living and schooling in a pandemic? How does both the distancing of oneself from others, and the increasingly enclosed space of home, affect the direction and outcome of their identity development?
Bringing together young movers from diverse abilities and backgrounds, In/Out provides a creative and experimental outlet for A Little RAW (ALR) Company where youths develop and pursue their personal reflections with each other’s assistance. We invite you to witness this evolving and interactive space that promotes expression and connection over shared questions of identity, in a time of disruption and distance.
Co-Directors
Wong Wai Yee and Ricky Sim
Conceptuliser/Performers
Annika Mei Das, Choo Qian Ning, Ellyssa Yeo, Estelle Yeo, Eunice Loh, Gabrielle Chia, Lee En Jie
Facilitators
Matthew Goh, Natasha Fawzi
Date / Time
6 Aug 2022, 7pm | 7 Aug 2022, 1pm & 5pm
Venue
Watch it here
“How has your internal ‘tempo’ changed over the past two years?”
Covid has forced us to adapt to new and unexpected circumstances, resulting in the disruption of pacing within and between people. Consciously or unconsciously, we have had to adjust our inner timings and rhythms to fit this uncertainty. As parts of the world stop and start, open up and lock down, the effects continue.
The artists conducted sessions exploring how participants’ pacing has changed between three periods of time: pre-Covid, the heaviest lockdowns and now. Through a series of sessions involving discussion alongside movement, sound and visual experiments, each participant compiled their own collection of pacing graphs. We combined the graphs with those of other participants to find patterns that led to the creation of immersive performances by the RAW Moves dancers.
Creator/Conceptualiser
Murasaki Penguin (Australia/Japan)
Dramaturg
Dr Nidya Shanthini Manokara
Part of YPAM Fringe 2023

Date / Time
15 – 17 December 2023
Venue
Murasaki Penguin Project Totsuka Theatre, Yokohama
Research & Development (R&D) promotes creative investigation in a curated practice, with an emphasis on unveiling the creative process and methodologies through archiving and performance.
How often do you think about breathing?
A Sense of Air navigates the relationship between our state of mind and the ways air moves through us. RAW Moves, together with conceptualiser Andy Pang, follows a research process involving dance and puppetry that reflects the different layers of self-awareness, empathy, and environmental consciousness in relation to one’s breathing. In this journey of introspection, we invite you to discover how your breath can connect with the self, society, and the environment.
Creator/Conceptualiser
Andy Pang (Singapore)
Dramaturg
Dr Nidya Shanthini Manokara
Date / Time
4 August 2023, 8pm
5 August 2023, 3pm & 8pm
Venue
Watch it here
RAW Project (RP) features commissions and reprised works with the intent to infuse diverse movement aesthetics into the local arts industry.
Experience a captivating exploration of the intersections between the wisdom of elders and the vibrance of youth. “Symbiosis” invites you to witness the dynamic between generations, revealing the enduring value of elder wisdom through the lens of contemporary challenges.
Music by SAtheCollective
Natalie Tse (Guzheng & Electronics)
Brian O’Reilly (Cello and electronics)
Christoven (Viola and abstract objects)
Movement collaborators – RAW Moves
Audrey Desmond
Matthew Goh
Wong Wai Yee
Ricky Sim
Digital multimedia
Keith Chia
Date/Time
1 March 2024: 7:30pm – 8:30pm
Venue
RAW Moves Studio
Wendy Mack (Singapore)
Lim Ci Xuan (Singapore)
Ashley Ho (Singapore/Netherland)
Rachelle Lee (Singapore)
Ke Yu-Fang (Taiwan)
Teoh Jie Yu (Singapore)
Matthew Goh (Singapore)
Natasha Fawzi (Singapore)
Dramaturg
Dr Nidya Shanthini Manokara
Physical Event (10 to 12 February 2023)
10 February 2023
Premiere of 12 films and Artist Sharing
Duration: 7:00 to 10:00pm (3 hours)
11 February 2023
Workshop 1: Wendy Mack (Singapore)
Art form: Craft + Discussion
Duration: 3:00 to 5:00pm (2 hours)
Description: Botanical Soap-Crafting
Workshop 2: Ashley Ho (Singapore/Netherlands)
Art form: Movement + Discussion
Duration: 7:00 to 9pm (2 hours)
Description: How do we begin to dance?
12 February 2023
Workshop 3: Matthew Goh (Singapore)
Art form: Movement + Text
Duration: 10:00 to 12pm (2 hours)
Description: Moving memories
Workshop 4: Ke Yu-Fang (Taiwan)
Art form: Movement + Film
Duration: 1:00 to 3:00pm (2 hours)
Description: Body Mapping
Workshop 5: Lim Ci Xuan & Teoh Jie Yu (Singapore)
Art form: Applied Drama + Discussion
Duration: 4:00 to 6:00pm (2 hours)
Description: Trauma and its invisibility
Digital Event (13 to 19 February 2023)
Watch it here
Run Another Way (RUN) is a movement clinic that functions as an unconventional work in an unusual theatre setting. It serves to create opportunities for the public to engage, participate and interact in the dance-making.
Synopsis
“How has your internal ‘tempo’ changed over the past two years?”
Stutter examines how the pandemic has forced us to adapt to new and unexpected circumstances, resulting in the disruption of pacing within and between people. Consciously and unconsciously we have had to adjust our inner timings and rhythms to fit this uncertainty. As parts of the world stop and start, open up and lock down, the effects continue.
Creator/Conceptualiser
Murasaki Penguin
Choreographer
Anna Kuroda (Japan)
Sound/multimedia
David Kirkpatrick (Australia)
Dramaturg
Dr Nidya Shanthini Manokara
Performers
Matthew Goh
Audrey Desmond
Date / Time
1 to 3 December 2022, 8pm
Venue
Watch it here
Goodman Arts Centre
90 Goodman Road, Block B, #01-08
Singapore (439053)
Office: +65 9362 9931
Email: hello@rawmoves.net
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