Redefining Movement

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226/27 Season
(Un)finished work: In pursuit of the work of forgetting...

As we continue to be swept up in the mainstream currents of digital developments, many of us have built and re-built our identities by extending a version of our past selves, or attempted to break off from them and to start afresh. Letting go is simple, yet difficult. Just like the Ship of Theseus, the ancient paradox regarding identity and change across time, the form of our artistic inquiries are often changing like the planks of the ship, and are they borne out of the same self?

In the work of forgetting…, we explore not just what we neglect about ourselves, but also what we can leave behind. On one hand, what have we forgotten about ourselves that we can begin to recover, to re-discover? On the other hand, at what cost, do we still remember that which no longer serves us?

Upcoming Shows

International expands our unique repertoire of works to a global audience. 

RawGround (TW/SG Edition) in collaboration with International Art Dharma Boat Festival

Longshan Artgong hopes to embody and practice the ideals of contemporary art in “another world” through its annual Folk Ritual Boat Festival held during the seventh lunar month. In 2024, under the auspices of Beisheng Temple in Keelung, we will send off collected artworks to the other shore through a symbolic flame that represents the spirit of contemporary times.

This year, the ritual boat is designed in the shape of a spaceship, symbolizing humanity’s vision of an era of interstellar migration. Yet this raises questions: Do deities exist in space? As we settle on Mars, how do we find spiritual grounding? Can we, like our ancestors, receive divine protection? And can art pave the way for us, igniting the spark of culture in these unknown realms?

Date / Time

11th to 17th August 2026 (Tentative)

Venue

C-LAB No. 177, Sec. 1, Jianguo S. Rd., Da’an Dist., Taipei City

International expands our unique repertoire of works to a global audience.

Tree House - A Sanctuary in the Sky (KIADA Edition)

A Little RAW was invited to be part of 2026 KIADA Korea International Accessible Dance Festival (KIADA) to present Tree House – A Sanctuary in the Sky. As the 11th annual festival, KIADA plans on creating an essential foundation for Asian inclusive dance organisations to share their practices and provide opportunities to interact with renowned inclusive organisations from all over the world.

Tree House – A Sanctuary in the Sky reimagines the treehouse as both refuge and gathering place, blending play and reality. Through dance and storytelling, it explores solitude, connection and resilience – reflecting on how we construct worlds of safety and imagination while nurturing dialogue on protection, belonging and our bond with nature.

Date / Time

15th August 2026

Venue

ARKO Arts Theater, 7 Daehak-ro 8-gil, Jongno District, Seoul, South Korea

RawForm (RF) emphasises the curated practice of diverse dance interpretations in unconventional venues. By centralising the importance of research and documentation in artistic development, it unveils creative processes and methodologies, while creating opportunities for the public to engage, participate and interact in an immersive dance-making setting.

Mind the Gap

A collaborative performance where artists cross disciplines, negotiate differences and discover what emerges in the spaces between.

Mind the Gap proposes collaboration as a generative act of crossing between disciplines, practices and ways of thinking. Each pairing of artists develops a 30-minute work that inhabits the in-between: a space where friction, misalignment and curiosity become catalysts for creation. Rather than seeking resolution, this presentation attends to what emerges through process — the negotiations, translations and discoveries that surface when different vocabularies meet.

Artists
Sabrina Koh (Interdisciplinary Artist–Researcher) & Cerise Tean (Movement Therapist)
Melissa Quek (Dance-maker and Educator) & Marcus Quek (Occupational Therapist)
Tung Ka Wai (Arts practitioner and educator) & Ding Kian Seng (Forest Therapy Guide and Paddlesports Coach)

Dramaturg
Olivia Vong 

Movement Advisor
Ricky Sim

Date / Time

27th to 29th August 2026

Venue

Aliwal Arts Centre, Multi-purpose Hall

International expands our unique repertoire of works to a global audience. 

RawGround (MY/SG Edition) in collaboration with Immersio

IMMERSIO 2026 is a ticketed event that aims to create a platform for artistic exchange and public engagement by bringing together artists, collectives, and audiences in a shared space of discovery. The programme is designed to reach a diverse audience that includes members of the general public interested in contemporary and immersive performance, arts practitioners and industry professionals seeking opportunities for dialogue and exchange, as well as students and emerging artists who wish to encounter new approaches to movement, choreography, and interdisciplinary artistic practice.

Date / Time

11th to 27th September 2026 (Tentative)

Venue

GMBB, Bukit Bintang – Kuala Lumpur

A little RAW logo

A Little RAW (ALR) has been an inclusive young dancers’ company based in Singapore, for children and youths 10 years and above. Having engaged over 60 performers with different abilities, the company continues to develop original dance and movement with new perspectives, spaces, and audiences, while celebrating the ‘Diversability’ of young differently-abled individuals.

I Remember…

I Remember… begins with a simple belief: identity is shaped by how we hold our experiences. For many children and youth with special needs, their stories are often told for them — through labels, reports, and expectations. This work shifts that narrative. It creates space for them to author their own remembering.

Situated within The Work of Forgetting, the project reframes forgetting not as erasure, but as choice. What do we release? What do we carry forward? How do we remember ourselves without being confined by fear, urgency, or imposed definitions?

The creative approach is sensory and accessible. Movement is built through repetition and simple tasks. Light, sound, and tactile elements provide grounding cues. The structure values presence over virtuosity, and agency over polish. Each performer moves within their own rhythm, contributing meaningfully to a shared whole.

The intention is not to present resilience as spectacle, but as everyday humanity. Audiences are invited to slow down and witness attentively. In doing so, remembering becomes constructive — a way of gathering fragments and shaping identity with care.

Through collective remembering, we rebuild how we see ability, dignity, and belonging.

Date / Time

28th & 29th November 2026

Venue

Enabling Village, 20 Lengkok Bahru, Singapore 159053

RawGround (RG): 2 Films, 1 Conversation, is a 10-day hybrid event featuring five artists presenting ten films. It explores urban life’s rush and how we hold onto ourselves. Our memories and senses become guides, leading us through this exciting adventure. As we ponder the beauty of life, RawGround stands as a platform for transformation and fostering a communion of thoughts and perspectives.

RawGround - 2 Films, 1 Conversation

RawGround27 explores (Un)finished Work: In pursuit of the work of forgetting…, through representations of the tangible forms and intangible traces. Featuring four collectives, the programme unfolds across eight films that examine the dichotomy and interconnectedness of memory and erasure.

Traversing space, body and emotion, the works engage with acts of survival, transition, release and agency, inviting audiences to reflect on forgetting as both a coping mechanism and a gesture of acceptance. RawGround27 offers an immersive and collaborative experience, bringing artists and audiences together in a shared space for discussion and cross-cultural dialogue.

Artists 
Olivia Vong (Singapore)
Christopher Fok (Singapore)
Ippi Wattanasuwan (Thailand)
Kanjana Niyomtham (Thailand)
Sudhee Liao (Singapore)
Daniel Navarro Lorenzo (Spain/Singapore)
Mekratingrum Hapsari (Indonesia)
Dani S. Budiman (Indonesia)

Dramaturg 
Dr Nidya Shanthini Manokara

Date / Time

21st to 24th January 2027 (Physical Experience)
25th to 31st January 2027 (Digital Experience)

Venue

Stamford Arts Centre

View Past Edition

RawGround - 2 Films, 1 Conversation

Step into RawGround 26: (Un)finished Work: In pursuit of the work of pretending (theme), a cinematic exploration of the delicate balance between appearance and authenticity in modern life. Featuring eight films by local and international artists, this exhibition delves into the personas we uphold, the memories we carry, and the selves we shield.

Through intimate, meditative films and artefacts, audiences are invited to reflect on the labour of presenting oneself, the tension between outward appearances and inner realities, and the creative and emotional work of connecting with others. RawGround 26 offers a rich, immersive experience and a space for cross-cultural artistic dialogue.

Artists

Mari Kalabegashvili (Georgia/Germany)
Fangas Nayaw (Taiwan)
Lau Hong Hu (Malaysia/Singapore)
Adzlynn Fizra (Singapore)
Gardika Gigih (Indonesia)
Euginia Tan (Singapore)
Tan Wei Ying (Singapore)
Wong Jin Yi (Singapore)

Dramaturg
Dr Nidya Shanthini Manokara

Part of

Supported by

Official Television Partner

Hisense Logo

Part of

Supported by

Official Television Partner

Hisense Logo

Physical Experience (Free Admission)

Join us for a captivating 4-day exhibition, where local and international artists will showcase their latest films and share insights into their creative processes and artistic practices.

4 Days Exhibition

Guided Tour

Date/Time

22nd Jan (Thu)  2026
Opening Reception*
8pm – 9pm

23rd Jan (Fri) – 25th Jan (Sun) 2026
12pm – 9pm

*Includes in-house refreshments

Venue

Stamford Arts Centre, Black Box

More Info

Physical Experience (Tickets)

Experience hands-on learning at our in-person workshops, led by 8 talented artists—both individuals and collaborative groups. Dive deep into their creative worlds as they guide you through unique techniques and artistic practices in an intimate, interactive setting.

4 in-person Workshops

Date/Time

23rd Jan (Fri) – 24th Jan (Sat) 2026

Venue

Various Locations

Digital Experience

Can’t attend in-person? Then join us in the digital iteration of RawGround 2026. Our website will feature all films that we premiered during the physical experience and also past editions of RawGround.

Registration is FREE!

7 Days
Watch Anytime
Available for International/Local Audiences

Date

‍26th Jan (Mon) – 2nd Feb (Sun) 2026

Constructing Selves: Faces of a Shifting Form

Constructing Selves: Faces of a Shifting Form is an immersive exhibition/dance performance that explores identity as fluid, layered and constantly evolving.

Through movement and AI-generated visuals, it reveals how memory, emotion and experience shape who we are. Step into a poetic space where the self is in perpetual motion.

Conceptualiser
Lip Chiong

Movement Collaborator
Ricky Sim (Singapore)

Dramaturg
Dr Nidya Shanthini Manokara / Dominic Nah

In collaboration with

NAFA-UAS-LOCKUP

A Programme of

Held in

Part of

A Subsidiary of

SNF
05_Monotone_Update
[FINAL] Heritage SG_Vertical
NHB Master Logo_Black_RGB

A Programme of

Held in

SNF
05_Monotone_Update

Part of

A Subsidiary of

[FINAL] Heritage SG_Vertical
NHB Master Logo_Black_RGB

Performance/
Exhibition

Performance/Exhibition

Opening Reception

5th September (Fri), 8pm
Includes exhibition and performance
Free Admission (as part of SNF)

Performances

6th September (Sat), 8pm
Free Admission (as part of SNF)

12th & 13th September (Fri, Sat), 8pm
Free Admission

Exhibition

6th – 21st September, 12 – 8pm
Closes on Monday and at 6pm on Fri & Sat
Free Admission

Workshops

Artist Sharing Session by Lip Chiong

10th September (Wed), 2pm – 3.30pm
Free Admission

Movement Workshop by Ricky Sim

15th September (Mon), 11am – 1pm
Free Admission

Venue

Lim Hak Tai Gallery
NAFA Campus 1
80 Bencoolen Street, S189655

RawGround (TW/SG Edition) in collaboration with Longshan Artgong

RAW Moves was invited by AfterImage, Longshan Artgong, and the Taipei Chen-En Experimental Education Institution to co-present a Taiwan–Singapore edition of Balancing – The Movement of Consciousness. This interdisciplinary initiative promoted cultural exchange between Taiwan and Singapore through movement-based practices, technology, and conceptual art.

Creator/Conceptualiser
Mark Wang (Taiwan), Lip Chiong (Singapore) & Matthew Goh (Singapore)

Dramaturg
Dr Nidya Shanthini Manokara

International Collaborators

art gong
宸恩
After image

Date / Time

8 – 24 June 2025

Venue

Longshan Artgong, Taipei

RawGround (TW/SG Edition) in collaboration with Shih Chien University

Taipei Shih Chien University’s Department of Architecture and Design invited RAW Moves to present a Taiwan-Singapore edition of RawGround as part of the Cross-Disciplinary Spatial Creation Workshop from April 14 to 18, 2025.

With the theme Body and Me / Creativity Can Be a Habit, the workshop aimed to foster cultural exchange, aesthetic improvisation, and cross-disciplinary experimentation. Through experiential learning and intuitive training, participants were encouraged to expand their creative thinking and artistic exploration.

Creator/Conceptualiser
Paul Gong (Taiwan) & Matthew Goh (Singapore)

Adjunct Visiting Associate Professor
Ricky Sim (Singapore)

Dramaturg
Dr Nidya Shanthini Manokara

Date / Time

14 – 18 April 2025

Venue

Shih-Chien University, Taipei Campus

Glitch

Synopsis

We live in a time of unprecedented technological development. From ancient stone tools all the way to the computers that we use to work and live, we have always possessed the innate desire to progress and advance. We’ve come far enough that we’ve begun to trust in our computers in ways that we wouldn’t trust another human being.

As we further develop these systems, could we one day ask the machine to interpret our dreams? Can we see ourselves in the machines we use? Can we ground ourselves in the ‘now’ to catch a glimpse of possible futures?

Glitch examines & meditates on man’s relationship with the machines we live with.

Creator/Conceptualiser
Wu Jun Han (Singapore)

Dramaturg
Dr Nidya Shanthini Manokara

Movement Collaborator
Ricky Sim

Performers
Matthew Goh
Natasha Fawzi
Kang Minchae (Intern)

Understudy
Alden Wong (Intern)

Date / Time

1 to 3 September 2022, 8pm

Venue

Goodman Arts Centre, Block O, Multi-purpose Studio 1 & 2

IN/OUT

Synopsis

In adolescence, arguably a huge aspect of growing up concerns the establishment of one’s identity. As both an individual and social phenomenon, adolescents navigate this process of identity formation by experimenting with possible self- identities, seeking significance in their relationships with others and their place in the world.

But what happens when this process is disrupted and interrupted by the isolating experience of living and schooling in a pandemic? How does both the distancing of oneself from others, and the increasingly enclosed space of home, affect the direction and outcome of their identity development?

Bringing together young movers from diverse abilities and backgrounds, In/Out provides a creative and experimental outlet for A Little RAW (ALR) Company where youths develop and pursue their personal reflections with each other’s assistance. We invite you to witness this evolving and interactive space that promotes expression and connection over shared questions of identity, in a time of disruption and distance.

Co-Directors
Wong Wai Yee and Ricky Sim

Conceptuliser/Performers
Annika Mei Das, Choo Qian Ning, Ellyssa Yeo, Estelle Yeo, Eunice Loh, Gabrielle Chia, Lee En Jie

Facilitators
Matthew Goh, Natasha Fawzi

Date / Time

6 Aug 2022, 7pm | 7 Aug 2022, 1pm & 5pm

Venue

Goodman Arts Centre, Block O, Multi-purpose Studio 1 & 2

Stutter (Japan Tour)

“How has your internal ‘tempo’ changed over the past two years?”

Covid has forced us to adapt to new and unexpected circumstances, resulting in the disruption of pacing within and between people. Consciously or unconsciously, we have had to adjust our inner timings and rhythms to fit this uncertainty. As parts of the world stop and start, open up and lock down, the effects continue.

The artists conducted sessions exploring how participants’ pacing has changed between three periods of time: pre-Covid, the heaviest lockdowns and now. Through a series of sessions involving discussion alongside movement, sound and visual experiments, each participant compiled their own collection of pacing graphs. We combined the graphs with those of other participants to find patterns that led to the creation of immersive performances by the RAW Moves dancers.

Creator/Conceptualiser
Murasaki Penguin (Australia/Japan)

Dramaturg
Dr Nidya Shanthini Manokara

Part of YPAM Fringe 2023

 

公募型舞台芸術フェスティバル「YPAMフリンジ2023」参加登録受付開始 | 公益財団法人 横浜市芸術文化振興財団のプレスリリース

Date / Time

15 – 17 December 2023

Venue

Murasaki Penguin Project Totsuka Theatre, Yokohama

Research & Development (R&D) promotes creative investigation in a curated practice, with an emphasis on unveiling the creative process and methodologies through archiving and performance.

A Sense of Air

How often do you think about breathing?

A Sense of Air navigates the relationship between our state of mind and the ways air moves through us. RAW Moves, together with conceptualiser Andy Pang, follows a research process involving dance and puppetry that reflects the different layers of self-awareness, empathy, and environmental consciousness in relation to one’s breathing. In this journey of introspection, we invite you to discover how your breath can connect with the self, society, and the environment.

Creator/Conceptualiser
Andy Pang (Singapore)

Dramaturg
Dr Nidya Shanthini Manokara

Date / Time

4 August 2023, 8pm
5 August 2023, 3pm & 8pm

Venue

Goodman Arts Centre, Block O, Multi-purpose Studio 1 & 2

RAW Project (RP) features commissions and reprised works with the intent to infuse diverse movement aesthetics into the local arts industry.

Symbiosis

Experience a captivating exploration of the intersections between the wisdom of elders and the vibrance of youth. “Symbiosis” invites you to witness the dynamic between generations, revealing the enduring value of elder wisdom through the lens of contemporary challenges.

Music by SAtheCollective
Natalie Tse (Guzheng & Electronics)
Brian O’Reilly (Cello and electronics)
Christoven (Viola and abstract objects)

Movement collaborators – RAW Moves
Audrey Desmond
Matthew Goh
Wong Wai Yee
Ricky Sim

Digital multimedia
Keith Chia

Date/Time

1 March 2024: 7:30pm – 8:30pm

Venue

RAW Moves Studio

Rawground: Pacing

Wendy Mack (Singapore)
Lim Ci Xuan (Singapore)
Ashley Ho (Singapore/Netherland)
Rachelle Lee (Singapore)
Ke Yu-Fang (Taiwan)
Teoh Jie Yu (Singapore)
Matthew Goh (Singapore)
Natasha Fawzi (Singapore)

Dramaturg
Dr Nidya Shanthini Manokara

Physical Event (10 to 12 February 2023)

10 February 2023
Premiere of 12 films and Artist Sharing
Duration: 7:00 to 10:00pm (3 hours)

11 February 2023
Workshop 1: Wendy Mack (Singapore)
Art form: Craft + Discussion
Duration: 3:00 to 5:00pm (2 hours)
Description: Botanical Soap-Crafting

Workshop 2: Ashley Ho (Singapore/Netherlands)
Art form: Movement + Discussion
Duration: 7:00 to 9pm (2 hours)
Description: How do we begin to dance?

12 February 2023
Workshop 3: Matthew Goh (Singapore)
Art form: Movement + Text
Duration: 10:00 to 12pm (2 hours)
Description: Moving memories

Workshop 4: Ke Yu-Fang (Taiwan)
Art form: Movement + Film
Duration: 1:00 to 3:00pm (2 hours)
Description: Body Mapping

Workshop 5: Lim Ci Xuan & Teoh Jie Yu (Singapore)
Art form: Applied Drama + Discussion
Duration: 4:00 to 6:00pm (2 hours)
Description: Trauma and its invisibility

Digital Event (13 to 19 February 2023)

Run Another Way (RUN) is a movement clinic that functions as an unconventional work in an unusual theatre setting. It serves to create opportunities for the public to engage, participate and interact in the dance-making.

Stutter

Synopsis

“How has your internal ‘tempo’ changed over the past two years?”

Stutter examines how the pandemic has forced us to adapt to new and unexpected circumstances, resulting in the disruption of pacing within and between people. Consciously and unconsciously we have had to adjust our inner timings and rhythms to fit this uncertainty. As parts of the world stop and start, open up and lock down, the effects continue.

Creator/Conceptualiser
Murasaki Penguin

Choreographer
Anna Kuroda (Japan)

Sound/multimedia
David Kirkpatrick (Australia)

Dramaturg
Dr Nidya Shanthini Manokara

Performers
Matthew Goh
Audrey Desmond

Date / Time

1 to 3 December 2022, 8pm

Venue

Goodman Arts Centre, Block O, Multi-purpose Studio 1 & 2